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品 牌：
设 计 师：
Spiekermann,Erik,duCarrois,Ralph,Meiners,Anja
分 类：
无衬线体
字体属性：
外文
字体编码：
Unicode
标 签：
字体介绍：
FF Real 的设计源于于早期时代变化的静态奇异风格。几家德国字体铸造厂——其中包括柏林的 Theinhardt 和 H. Berthold AG——在 1898 年至 1908 年间发布了这样的设计。招贴尺寸字体的半粗体字重比当时大多数风格相应的半粗体更轻，这推动了 FF Real 的regular字重设计。用 Spiekermann 的话来说，历史上的例子是“真实的、非冒牌的版本，就像是经典的无衬线字体”，因此他的新字体被命名为“Real”（这也与他的其他四字母名字一样，即 FF Meta、FF Unit）。
FF Real 是对德国奇异风格有说服力的重新诠释，也具有更多的温暖感和更好的易读性。 Spiekermann 暗示了温暖的美国奇异感，添加了一些典型的英美特征，例如三次折叠的“g”和具有更明显环形的“8”。为了更好地区分小字体的字符，FF Real Text 采用老式特征，“f”和“t”更宽，大写“I”配备衬线，小写“l”也是如此。更重要的是，i-dots和所有标点符号都是圆形的。
在 Spiekermann 的传记中，FF Real Text 已被证明可以用于所有非斜体的正文的使用情况，而 FF Real Head字体可以以更大的尺寸切割出精美的图形，外观更简洁。
FF Real was originally conceived by Erik Spiekermann as one text weight and one headline weight to be used as the only faces in his biography ‘Hello I am Erik’, edited by Johannes Erler, published in 2014. While Spiekermann drew the alphabets, he passed on the font data to Ralph du Carrois who cleaned it up and completed it. In the meantime FF Real has been extended to a family of two styles and 13 weights each.
The design of FF Real is rooted in early static grotesques from the turn of the century. Several German type foundries – among them the Berlin-based foundries Theinhardt and H. Berthold AG – released such designs between 1898 and 1908. The semi-bold weight of a poster-size typeface that was lighter than most of the according semi-bolds in metal type at the time, gave the impetus to FF Real’s regular weight. In the words of Spiekermann, the historical example is “the real, non-fake version, as it were, the royal sans serif face“, thus giving his new typeface the name “Real” (which is also in keeping with his four-letter names, i.e. FF Meta, FF Unit).
FF Real is a convincing re-interpretation of the German grotesque style, but with much more warmth and improved legibility. With a hint towards the warmer American grotesques, Spiekermann added those typical Anglo-American features such as a three-story ‘g’ and an ‘8’ with a more defined loop. To better distinguish characters in small text sizes, FF Real Text comes in old style figures, ‘f’ and ‘t’ are wider, the capital ‘I’ is equipped with serifs, as is the lowercase ‘l’. What’s more, i-dots and all punctuation are round.
In Spiekermann’s biography FF Real Text has proven to endure all challenges of a proper text face without an italic, while FF Real Head cuts a fine figure in larger sizes with a more reduced look.
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