1935年，Rudolph Ruzicka在美国的Linotype找到W.A. Dwiggins并交给他六份字体设计草图。后来就产生了如今名为Fairfield的字体家族。名为“Script”的草图几乎被人遗忘了，直到1993年在Ruzicka的档案中发现了一些草图和设计。Ruzicka Freehand最初是一款更为流畅的书法字体，后来Ruzicka将其发展成这款强大而独特的形式。该字体设计有两个字重以及与其相应的斜体。这些字体轮廓清晰，仅仅以斜体的形式就可以表现出手写的风格，而且组合之后形成轻盈而和谐的线条。Ruzicka Freehand字体赋予文本一种私密的个性，适合中长文本和标题。

In 1935, Rudolph Ruzicka approached W.A. Dwiggins at Linotype in the USA and handed him six font design sketches. These later led to the typeface family now known as Fairfield. The sketch called 'Script' was forgotten until 1993, when sketches and designs were found in Ruzicka's archives. Ruzicka Freehand was originally a more flowing calligraphy font which Ruzicka later developed into this strong and unusual form. The font is designed in two weights and their matching italics. The figures are clear, only just indicating the handwritten style in the italic forms, and combine into light and harmonic lines of text. Ruzicka Freehand font gives texts a private and personal character and is suitable for middle length texts and headlines.