1952年，Charles Peignot做出了一个大胆的举动:他邀请了一位年轻的瑞士设计师到巴黎担任Deberny & Peignot字体铸造厂的艺术总监。这开启了Adrian Frutiger的专业字体设计生涯;从那以后，他设计各种惊人的大师级字体。最早出现在Deberny＆Peignot的字体之一是Président，一个具有锋利衬线的拉丁字型。“拉丁文”是对带有楔形或三角形衬线的罗马字体的一种印刷设计，后来Frutiger用他漂亮的Méridien字体又恢复了这种风格。Président™具有宽而坚实的形状;粗细笔画之间的反差很小；还有一种自信的神态。请在名片、公告或艺术标识中使用这种标题字体。”

In 1952, Charles Peignot made a bold and fortuitous move: he invited a young Swiss designer to Paris to be the art director of the Deberny & Peignot type foundry. This started the professional type design career of Adrian Frutiger; and since then he has designed an astonishing range of masterful typefaces. One of the earliest for Deberny & Peignot was Président, a sharp-seriffed Latin titling face. Latin" is a typographic designation for roman typefaces with wedge or triangular-shaped serifs, a stylistic form that Frutiger would return to later with his beautiful typeface Méridien. Président™ has wide, solid shapes; very little contrast between thick and thin strokes; and an air of assurance. Use this titling font for business cards, announcements, or artistic signage."