Adrian Frutiger于1981年为Linotype提出了这个非常有目的且强大的设计。十六世纪早期的人文主义字体，尤其是Jenson，成为了Breughel的模板。字干的右侧垂直且与基线成直角，而字干的左侧弯曲成衬线，使字体看起来像是向右倾斜，并给人一种动感和活泼的感觉。宽边笔的延展性反映出设置为Breughel的文本的流畅、节奏和纹理，但与此同时，这种设计具有一定的形式规则性，这种形式在排印上是坚实的。对于有技术和远见的设计师来说，Breughel是一个理想的字体。可以用它来创作新颖的出版物、海报和广告。

Adrian Frutiger came up with this unusually purposeful and strong design in 1981 for Linotype. Early humanistic typefaces of the sixteenth century, especially Jenson, served as models for Breughel. The right sides of the stems are vertical and at right angles to the baseline while the left sides of the stem curve into the serifs, making the typeface look as though it slants to the right, and giving it a sense of movement and liveliness. The ductus of the broad-edged pen is reflected in the flow, rhythm, and texture of text set in Breughel, but at the same time this design has a regularity of form that is typographically solid. Breughel is an ideal typeface for the designer with skill and vision. Use it to create innovative publications, posters, and advertisements.