Linotype Authentic™ Small Serif
字体介绍:
Linotype Authentic系统的后现代性表现在其样式特征(“snap-on” Serifs,Small Serif,和Stencil中的“白色空白”线)以及字形的整体外观上。这些字母似乎是由一个复杂的矩阵系统构建而成的。通常应该完全弯曲的元素都变平了。大写字母都被缩窄了。“衬线”和“小衬线”都是粗衬线体。“小衬线”使人想起在Didone字母(如Didot或Bodini)上出现的衬线。
Linotype Authentic字体可以用于设置各种尺寸的字体,从小号文本(数量适中)到标题(headlines和titling)、展示,书籍封面和海报。Linotype Authentic也可以适当的用于设置logo。”
Linotype Authentic is a post-modern type system developed by the German designer Karin Huschka in 1999. With 30 individual styles, Linotype Authentic is broken up across four sub-families: Linotype Authentic Serif (8 styles), Linotype Authentic Stencil (6 styles), Linotype Authentic Sans (8 styles), and Linotype Authentic Small Serif (8 styles).
The post-modern-ness of the Linotype Authentic system manifests itself through its stylistic qualities (snap-on" serifs, small serifs, and stencil "white space" lines) as well as through the overall appearance of its letterforms. The letters seem to be built from a complex matrix system. Elements that would normally be full curved have been flattened out. The uppercase letters run condensed. Both the "serifs" and "small serifs" are of the slab serif variety. The "small serifs" are reminiscent of the sort of serifs found on Didone letters (i.e., Didot or Bodini).
The Linotype Authentic fonts may be used in a wide array of point sizes, from small text (in moderate amounts) to headlines, titling, displays, book covers and posters. Linotype Authentic can set a mean logo in the right hands, too."