Juliana是1958年由Sem Hartz设计的一款完全原创的传统风格字体。 Juliana Text是其数字复刻版本，由Sam Berlow将其数字化。 Juliana的许多细节都能表现出它是一款原创字体，尽管它会让人想起16世纪上半叶在意大利创作的那些漂亮字体。这些大写字母的风格，部分 “古典”，特性不怎么突出（这是很好的）。K和R的字尾平滑；S的顶端和底端都比较平；W相交的方式很传统。大写字母可能略低于小写字母的升部。小写字母没有特别的地方; 其形式在一些小细节上与其他字体有所不同。 b的尾端有衬线；小写字母k的末端和大写字母的一样； i和j的点是菱形的（Juliana中句号的设计也是一样的）。h，m和n的拱形部分相对较平。小写字母w与大写字母W并不相同，它没有相交。 重要的是，设计师创作新的字体时并不是把字母设计的显眼；而是通过他自己对罗马字母的固有理解来表达克制和尊严。
Juliana is a face of traditional style yet entirely original. Designed by Sem Hartz in 1958. Juliana Text is the digital revival of this version. This was now digitized by Sam Berlow. Juliana shows lots of detail that it is an original design, though reminiscent of the handsome type faces produced in Italy in the first part of the sixteenth century. The capitals are partly 'classic' in style, with very few outstanding features (which is all the good). The K and R have flowing terminals; the S is comparatively level at head and foot; the U has arms of equal weight; the W is crossed in traditional fashion. The capitals are probably slightly less tall than the ascending lowercase letters. The lowercase has no eccentricities; its forms are different from other faces only in small detail. The b has a serif at the foot but no crotch; k has the sample style of terminal as the capital; the i and j have diamond shaped dots (the full point in Juliana is of the same design). The arches of h, m and n are comparatively flat. The lowercase w differs from the capital; it is not crossed. The important thing to note is that the designer has not attempted to create a new design by making the letter noticable; he has achieved his object by allowing his own innate understanding of the Roman letters to express itself with restraint and dignity.